The time when black metal was only allowed to be minimalistic – performed by just guitar, bass and drums, with a raw, lo-fi production and (often) with a pessimistic view of society and a strong distrust of people – is long gone. Right? But of course not everyone thinks that way. There is a fervent group of advocates who want to stay true to the principles of the genre. And there is nothing wrong with that. If you consider yourself to be among the group of gatekeepers and purists, if you prefer your music to be extremely conformist to the original basic principles of black metal, then I advise you to simply skip the band Labyrinthus Stellarum and rather consider this review as non-existent.

Because if there is one thing that Ukrainian Labyrinthus Stellarum is not, it is authentic black metal. Something that was already clearly evident on predecessors Tales of the Void (2023) and Vortex of the Worlds (2024) and is not very different on the third album, Rift In Reality. The project of brothers Alex and Misha Andronati does use many basic black metal elements such as sharp, cutting vocals, heavily distorted guitars, tremolo picking, fast tempos and unconventional song structures, but the use of a frisky, sound-defining synthesizer drapes atmospheric, dreamy textures over it. Ambient black, then? The band itself chooses to use the term cosmic black metal.
In contrast to much music that is labelled as ambient black, Labyrinthus Stellarum makes less use of a somewhat phlegmatic tempo, and repeating riffs and repetitive melodies occur less often. The beginning of songs such as Ravenous Planet and Take Us Away may be characterized by a somewhat calmer tempo, but as soon as the vocals make themselves heard and drums and guitars are coming to the forefront, the speed quickly increases. We actually encounter that fast tempo throughout the whole album (Voyager, the title track, Cosmic Plague). Only halfway through the album (Lost In The Void) do floating, playful synthesizer lines take you on a sonic, cosmic journey through the endless universe at a somewhat more moderate pace.
Thematically, don’t expect the more common subjects in ambient black metal like nature or mythology, but a story about space travelers who have left their home world to reveal the mysteries of time and space. In search of the Void; the cradle of the worlds, the origin of matter. But when they enter the Void, things go wrong and they unintentionally release an all-destructive swarm of parasites into their world. “The truth we sought and all our hopes have vanished in the dark. The sacred place we used to worship became the grave for our kind.” (Lost In The Void). Ideal reading for lovers of fantasy and science fiction, right?
Score:
82/100
Label:
Northern Silence Productions, 2025
Tracklisting:
- Voyagers
- Ravenous Planet
- Take Us Home
- Rift in Reality
- Lost in the Void
- Cosmic Plague
- Liftoff
- Nirlakh
Line-up:
- Alex Andronati – Vocals, drum programming
- Misha Andronati – Guitars
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