Kreator – Krushers of the World

The German thrash metal institution Kreator is back with a new album. Krushers of the World is the sixteenth full-length in the band’s history, but more importantly the seventh album of this century. And why do I point that out? Because with Violent Revolution in 2001, the band laid down a blueprint they have barely deviated from ever since. Gone were the experiments of the years before. No more influences from death metal, industrial, ambient, or gothic. Just pure, relentless pounding, pounding, pounding, with filthy, bombastic thrash metal as the foundation, supplemented by melodic riffs from the Gothenburg metal scene. Also not unimportant: since 2001, the Finn Sami Yli-Sirniö has been handling the strings, and the man is a truly gifted guitarist.

With Krushers of the World, Kreator simply adds more tiles to the floor that has been paved since Violent Revolution. Band leader Mille Petrozza would be crazy to try something different, because this approach has brought him fame, prestige, and headline slots at festivals and in large venues. Luckily, Kreator has the gift of writing catchy and varied songs within this fixed framework and blasting them onto record with enormous energy. Petrozza and fellow founding member Ventor are both approaching sixty, but there is absolutely no sign of wear and tear on these gentlemen. Ventor delivers massive performances on tracks like Seven Serpents, Blood of Our Blood, and Psychotic Imperator; Petrozza spits his social- and religion-critical, left-leaning lyrics into the microphone with full conviction, complete with that German accent he will never loose.

Krushers of the World opens with Seven Serpents, and that track immediately makes the band’s intentions crystal clear: this is going to blow venues and festival fields apart in the coming months. And by the way: what a delicious little guitar run is hidden in there. Satanic Anarchy follows, another classic Kreator track in which melody in both lyrics and music goes hand in hand with rage and aggression, giving Yli-Sirniö plenty of room to rip loose with his solos. On the title track, the tempo drops slightly and we get a nicely grooving song, but also one that doesn’t leave much of an impression. Krushers of the World will mainly be remembered for the album title, less so for the song itself.

Things are different with Tränenpalast. Keep an eye out in the near future to see whether Kreator and the melodic death metal outfit Hiraes appear on the same festival bill, because I would absolutely love to witness this duet between Petrozza and singer Britta Görtz live. The song itself already pulls no punches; Görtz adds an extra dimension with her grunts. Barbarian is another excellent Kreator skull-crusher: the band simply can’t write bad songs anymore. Then there’s Blood of Our Blood. Yes, people. Pure insanity. Pure madness. What! A! Song! Shout along with the chorus, bang your head, that guitar work… This is the shit. If you have even the slightest soft spot for metal, this is the track to fall head over heels in love with—a true four-and-a-half-minute eargasm!

Combatants cruises along nicely in the slipstream, but after three quarters it introduces a brief calm section whose main purpose is to floor the accelerator again afterward. Psychotic Imperator is yet another track that Kreator seems to casually pull out of their sleeve. It alternates between midtempo and uptempo, the guitar work is absolutely delicious and Ventor just keeps hammering away like a human metronome. A background choir is borrowed from Dimmu Borgir. A fun detail on the following monster Deathscream: the song title is grunted in the second vocal line (Ms. Görtz was apparently still present in the studio). Aside from that, it’s Kreator through and through. Once again, this album proves the rule: no fillers, just killers.

That brings us to the closing track, Loyal to the Grave. Krushers of the World has long established itself as a top-tier record; now the question is how it wraps things up. The conclusion: decent. Petrozza delivers the message that we are all equal, but lyrically it’s a bit too simplistic, and musically the track leans heavily on the work of the Finnish string wizard. Fair enough! It’s quite understandable that the reibekuchen are just about used up after all that violence.

Despite the weaker closing track, a message to thrash bands of all nations: your masters are back, and they’re once again showing how it’s done. Slayer has quit, Metallica is hobbling along, Megadeth is almost finished, Anthrax keeps living off past successes, Testament and Exodus are always lurking, and Sodom and Destruction are always fun, but the biggest, most stable, and best thrash metal band of the past years is undeniably Kreator. Blood of our blood / Raised to divine / Your eyes are useless when the mind is blind / Blood of our blood / Now I can see your shine /From the path to victory / This is our time / This is your time.

Score:

90/100

Label:

Nuclear Blast, 2026

Tracklisting:

  1. Seven Serpents
  2. Satanic Anarchy
  3. Krushers of the World
  4. Tränenpalast
  5. Barbarian
  6. Blood of Our Blood
  7. Combatants
  8. Psychotic Imperator
  9. Death Scream
  10. Loyal to the Grave

Line-up:

  • Mille Petrozza – Vocals, guitar
  • Sami Yli-Sirniö – Guitar, vocals
  • Frédéric Leclercq – Bass guitar, vocals
  • Ventor – Drums

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